Miles Grissom is a young video editor who lives in Los Angeles and fears almost everything, especially death and car crashes. After losing his father as a child, he becomes desperate to learn whether anything exists after death. Miles places an ad offering $30,000 to anyone who can prove that angels, demons, or ghosts are real. His protective mother, Charlotte, joins him as he meets a researcher, a medium, and a rich man, and the quiet drama turns into tense supernatural horror.
The story centers on grief, fear, family love, and the need to face painful memories. Miles and Charlotte work as a team, but their different views about belief and safety create tension. The film treats faith and doubt as personal questions instead of turning them into a fight between social groups. Its dark humor, ghost scenes, and strange ending give the story a sad but hopeful tone.
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Breakdown
These are the editorial factors and ratings behind our score for We Go On.
Woke representation / casting
Not present. The main roles are a white mother and son, with a mixed supporting cast in modern Los Angeles. The film does not present the casting as a diversity message.
0%
Woke political dialogue
Not present. The spoken conflict concerns fear, death, faith, ghosts, and family. The characters do not give modern identity, DEI, or activist speeches.
0%
Identity-driven story themes
Not present. Miles’s fear of death and grief drive the plot. The mother-son bond, guilt, memory, and acceptance shape the character arcs. The story does not build its message around race, sex, sexuality, or group identity.
0%
Western institutional / cultural critique
Not present. The film shows private trauma, childhood bullying, and supernatural danger. It does not turn those events into a modern attack on men, families, religion, capitalism, or Western institutions.
0%
Woke character or canon changes
Not relevant. The film is an original story with no established characters, source material, or historical figures being changed.
0%
Anti-woke backlash and complaints
Not present. No clear anti-woke backlash was found. The supplied X pass found no complaints, and available Reddit and review discussion focuses on the horror story, ending, and acting.
0%
Creator track record context
Jesse Holland and producer Marius Haugan have no meaningful activist profile in the cached records. Andy Mitton has a mild public-health statement tied to a later film, but little record of DEI or identity activism. That small signal does not shape this movie.
2%
Production
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