Phoebe Spengler and her family move into the old Ghostbusters firehouse in New York City. The teenage scientist wants to keep catching ghosts, but the mayor stops her because she is too young. An ancient spirit named Garraka escapes from a strange orb and threatens to freeze the city. The family joins the original Ghostbusters in an adventure filled with jokes, scares, strange creatures, and teamwork. Phoebe forms a close bond with Melody, the ghost of another teenage girl. Their nervous exchanges and wish to share the same physical world give this continuing subplot an implied same-sex crush, although neither girl names it as romance. Phoebe briefly leaves her body to join Melody, and that choice helps Garraka escape. A library expert also calls stolen foreign artifacts a “colonial loot fest,” while longtime receptionist Janine joins the final fight as a Ghostbuster.
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Was our 42% Woke rating accurate?
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Breakdown
These are the editorial factors and ratings behind our score for Ghostbusters: Frozen Empire.
Woke representation / casting
Not present. The cast fits modern New York, and the Phoebe–Melody bond is addressed under story themes.
0%
Woke political dialogue
Dr. Wartzki calls the Manhattan Adventurers Society’s artifact collecting a “colonial loot fest.” Wartzki says the wealthy members stole relics from other places. His joke gives the scene an anti-colonial political point.
12%
Identity-driven story themes
Phoebe develops an intense bond with the teenage girl ghost Melody. Phoebe’s nervous exchanges and wish to join Melody give their scenes an implied same-sex crush. Phoebe leaves her body to share Melody’s ghost world. Their queer-coded bond drives an important subplot and helps set up Garraka’s escape.
40%
Western institutional / cultural critique
The Manhattan Adventurers Society takes foreign artifacts for wealthy collectors to enjoy. The story connects their handling of a stolen relic to a deadly supernatural disaster. The scene presents Western colonial collecting as theft with harmful results.
12%
Woke character or canon changes
Janine changes from the original films’ receptionist into an active Ghostbuster during the final battle. Janine wears the team’s uniform and uses a weapon alongside the men. Annie Potts frames this new hero role as a gender opportunity by saying that men get things before women.
22%
Anti-woke backlash and complaints
Some viewers call the Phoebe–Melody subplot a lesbian agenda or forced woke content. The supplied X findings include repeated complaints about that pairing and DEI. Reddit comments and audience reviews repeat the same objection. A family review site also objects to the inserted implied lesbian attraction.
30%
Creator track record context
Jason Reitman’s stored profile includes discussion of gender politics and MeToo. Amie Karp’s stored profile includes work promoting women’s representation and diverse voices. Dan Aykroyd’s stored profile includes public criticism of racist and sexist abuse. These records provide mild progressive context for the film’s female hero roles and queer-coded subplot.
32%
Production