One year after Vincent van Gogh dies in 1890, postman Joseph Roulin asks his son Armand to deliver Vincent’s last letter to his brother, Theo. Armand reaches Paris and learns Theo has also died, so he travels to Auvers, where Vincent spent his final days. He questions Vincent’s doctor, the innkeeper’s daughter, his housekeeper, and other people who knew him. Each person remembers Vincent differently, and Armand tries to learn what led to Vincent’s death. The film has a quiet, sad mood and tells much of its story through moving oil-painted images. The story focuses on Vincent’s loneliness, poor health, work, and close bond with Theo. Armand starts out annoyed by Vincent, but the people he meets help him understand the painter’s lonely life. Some witnesses think Vincent took his own life, while others suggest that someone else caused his death. Art, family ties, grief, and mental illness shape the story.
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Breakdown
These are the editorial factors and ratings behind our score for Loving Vincent.
Woke representation / casting
Not present. The directors said they chose actors partly because they resembled people in Van Gogh’s portraits.
0%
Woke political dialogue
Not present. Characters talk about Vincent’s art, health, and death.
0%
Identity-driven story themes
Not present. Armand follows accounts of Vincent’s final days and tries to understand his life.
0%
Western institutional / cultural critique
Not present. The story shows personal disputes over Vincent’s care and death.
0%
Woke character or canon changes
Not relevant. The story uses documented history and Van Gogh’s own paintings and letters with no identity-driven swaps or reinterpretations.
0%
Anti-woke backlash and complaints
Not present. Online discussion focused on the painted images, Van Gogh’s story, and the Oscar result.
0%
Creator track record context
Director DK Welchman discussed gender bias in animation while speaking about this film. She said the crew’s 60% female makeup came from the strength of the applicants. Writer Jacek Dehnel has supported LGBT rights and opposed anti-LGBT policies in Poland.
18%
Production