2016–2024 · Based on 6 seasons ·
Jeremy Clarkson, Richard Hammond, and James May travel around the world in fast cars. They race, repair broken vehicles, and complete silly challenges in difficult places. Their friendship drives the show as much as the cars do. The show uses a loud, rude, and playful style as the three men try to annoy each other. The show focuses on cars, travel, danger, competition, and friendship. The hosts sometimes make crude jokes about groups, social rules, and political correctness. The jokes support an old fashioned comedy style instead of a woke message. The later specials become longer farewell adventures, and the final episode centers on the trio’s friendship and shared history.
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Breakdown
These are the editorial factors and ratings behind our score for The Grand Tour.
Woke representation / casting
Not present. The three hosts are white British men whose real-life friendship and distinct personalities drive the show. Casting fits the premise with no forced diversity or signaling.
0%
Woke political dialogue
Not present. Banter includes crude jokes about stereotypes and modern life. Clarkson has openly criticized woke culture in interviews linked to the series.
0%
Identity-driven story themes
Not present. All plots revolve around cars, challenges, travel, and the presenters' rivalry and friendship. No arcs about gender, race, or identity.
0%
Western institutional / cultural critique
Not present. Occasional light humor about travel or consumer trends appears, but nothing framed as activist critique of patriarchy, capitalism, or traditional norms.
0%
Woke character or canon changes
Not present in this title.
0%
Anti-woke backlash and complaints
Not present. Public reaction mainly praised the show as not woke or criticized its rude humor. No meaningful complaint claimed that this title pushed woke, DEI, or identity politics messaging.
0%
Creator track record context
The key creators have mostly made car, travel, and comedy programs. Clarkson has criticized woke culture. Hammond has a low stored score and a mainly apolitical record. The wider creative team also has very low stored scores.
2%
Production