2023– · Based on 5 seasons through September 27, 2026 ·
Frank Shaw is a bitter former cop who now catches animals for a Seattle city crew. He understands animals better than people, and his cheerful partner Shred often tests his patience. Their coworkers juggle strange rescue calls, office fights, family trouble, and messy romances. The comedy grows more focused on rival boss Templeton and businessman Roman Park as the team's jobs come under threat. Victoria is bisexual, and Season 3 gives her a continuing romance with Fiona, who also dates Frank. Emily takes the leader role at work, but her awkward choices and romance with Shred also cause trouble. Early Season 5 adds a joke against male leadership and talk about girls learning from girl bosses. Emily also praises a full life without being tied down to boys, while animal rescues and personal feuds still carry most of the story.
Community feedback
Was our 40% Woke rating accurate?
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Breakdown
These are the editorial factors and ratings behind our score for Animal Control.
Woke representation / casting
Not present. The mixed cast fits a present-day Seattle workplace.
0%
Woke political dialogue
A character in the Season 5 premiere blames Frank and Templeton's foolish fight on men being in charge. The joke makes male leadership itself the target. Emily says in Season 5, Episode 2 that girls should hear from girl bosses. Emily presents female leaders as guides for girls seeking priorities beyond a boyfriend.
26%
Identity-driven story themes
Victoria dates Fiona in Season 3 while Frank also pursues her. Victoria's same-sex romance becomes a continuing part of the team's dating troubles across several episodes. The story treats bisexual relationships as an ordinary part of its romantic comedy. Emily also takes the traditionally male role of workplace leader through much of the series.
42%
Western institutional / cultural critique
Emily tells Addy in Season 5, Episode 2 that her life felt full without being tied down to boys. Emily praises her older aunts when Addy worries about becoming a sad old lady. Emily's message challenges the idea that women need a male partner to have a happy life.
18%
Woke character or canon changes
Not present in this title.
0%
Anti-woke backlash and complaints
Not present. The documented disputes concern comedy, character choices, and the production's use of animals.
0%
Creator track record context
Dan Sterling's stored score is 59 and reflects his work in liberal political satire. Bob Fisher's stored score is 57 and includes his support for wider race, gender, and sexuality representation in Sirens. Rob Greenberg's stored score is 57, although his stored summary names no woke history. Tad Quill's 43 and Joel McHale's 37 provide more moderate context among the central creative people.
51%
Production
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